![]() ![]() The most familiar models are the Desert Boot 2s, which are much like the original, save for a few subtle, innovative differences: this time around they’re roomier, with grippier rubber soles and more breathable cushioning. The latest designs offer new spins on Clarks’ most traditional silhouettes, fusing its expert craftsmanship, sustainable materials and, obviously, unparalleled levels of comfort. ![]() ![]() The company’s autumn/winter collection may end up sparking that, though. And in an age where practical footwear reigns supreme – Crocs, Goretex hiking boots and dad trainers have been dominating inner-city high streets for what feels like an eternity – it feels like Clarks is overdue a major countercultural comeback. There’s also their more ubiquitous Desert Boot, which was much-loved by the mods, as well as the demonstrators of the now legendary French student uprisings of 1968.Īll of this is to say that Clarks has range and a seemingly limitless appeal, which is mostly down to how simple and comfortable its designs are. It then moved north to the streets of New York, where it was seen on 90s hip hop pioneers like Wu-Tang Clan and MF Doom, before returning to the UK, where it was seen on acid house ravers and the main players of the Britpop movement. Take their classic Wallabee design, for example: founded in 1967 as an easy, suede moccasin lace-up, it quickly became a staple of Jamaican Rude Boy culture. Between now and then, the classic shoe retailer has established itself as an unlikely but integral part of British subcultural history. Clarks may have started its life as a humble, Somerset slipper brand, but a lot can change in 200 years.
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